SHUN ISHIZUKA :
PHOTOGRAPHY PORTFOLIO
shunar50.com___mail@shunar50.com

I am not interested in using objects to express something.Rather, I am interested in appropriately translating the objects themselves into the form of photography.By “appropriate,” I do not mean objective accuracy, but a structural coherence grounded in my own point of view.

Distance, angle, and light are all selected based on whether they can endure the constraints of photographic form.This is a matter of compression—between three dimensions and two—and can be considered a process of designed deformation.As information is omitted, materiality becomes more evident, and form gains in meaning and relational tension.

The goal is not to make something look good, but to give it a structure through which it can be properly seen.That is what photography is to me—the core of what it means to take a picture “appropriately.”

圧縮装置 / surface

SHUN ISHIZUKA :
PHOTOGRAPHY PORTFOLIO

I am not interested in using objects to express something.Rather, I am interested in appropriately translating the objects themselves into the form of photography.By “appropriate,” I do not mean objective accuracy, but a structural coherence grounded in my own point of view.

Distance, angle, and light are all selected based on whether they can endure the constraints of photographic form.This is a matter of compression—between three dimensions and two—and can be considered a process of designed deformation.As information is omitted, materiality becomes more evident, and form gains in meaning and relational tension.

The goal is not to make something look good, but to give it a structure through which it can be properly seen.That is what photography is to me—the core of what it means to take a picture “appropriately.”